Image of the Willis Organ at St George's Hall, Liverpool.

Preserving a Liverpool Icon: The Restoration of the Willis Organ’s Trellis

Work is currently underway on the restoration of the Willis Organ’s trellis, thanks to funding from the UK Shared Prosperity Fund.

The trellis of the Willis Organ at St George’s Hall is an exquisite decorative feature that enhances the grandeur of this historic instrument. Designed as an intricate lattice of ornamental fretwork, it serves both an aesthetic and functional purpose, complementing the organ’s majestic presence while also protecting its delicate internal components.

Originally crafted in 1855 as part of Henry Willis’s masterful design, the trellis exemplifies the Victorian era’s dedication to artistry and precision. Its elegant patterns reflect the craftsmanship that defined 19th-century organ building, seamlessly blending with the grandeur of St George’s Hall’s neoclassical architecture. Over time, natural wear and environmental factors have taken their toll, making restoration essential to preserve its beauty and historical integrity.

The Craftsmanship Behind the Restoration

The repair of the Willis Organ’s trellis is a delicate and intricate process, entrusted to skilled artisan restorer Julien Taylor. Julien brings a unique combination of blacksmith training, fine art expertise, and traditional craftsmanship to the project. Describing his approach, he shares:

“Restoration work is always a rewarding challenge. In this case, the plaster panel is still attached to the organ. The process involves selecting the best part of the fretwork to copy, moulding the area with silicone casting rubber, and ensuring that the new elements seamlessly integrate with the original design. Given that the organ is a vibrating mechanism, it’s fascinating to see the history of previous repairs and to contribute to its ongoing preservation.”

The Willis Organ has been the heartbeat of St George’s Hall for generations, its sound resonating through time to captivate audiences old and new. Thanks to this funding and the dedication of skilled artisans, its beauty and power will endure for years to come. We look forward to celebrating its restored glory with the people of Liverpool, who have cherished this magnificent instrument for over a century.

Cllr Harry Doyle, Cabinet Member for Culture and Public Health said:

“The restoration of the Willis Organ’s trellis is a key step in safeguarding one of Liverpool’s most treasured musical jewels. This project is a testament to our commitment to preserving Liverpool’s heritage while ensuring that future generations can continue to experience the grandeur of St George’s Hall in all its glory. It’s inspiring to see such skilled craftsmanship at work, and I look forward to witnessing the organ restored to its full splendour.”

Alan Smith, Head of Heritage Preservation and Development said:

“St George’s Hall continues to be the cultural heritage beacon of Liverpool, providing a reassuring presence for the city and instilling confidence and pride in our magnificent history. Maintaining the hall and its treasures is essential. The recent replacement of the Tuba Mirabilis was a major milestone in restoring the Willis Organ’s voice, and this latest work on the trellis further enhances its splendour. Our history is a living, breathing thing, and through these careful restorations, we ensure that our heritage continues to enrich our lives.”

Professor Dr Ian Tracey, DL, Organist to the City of Liverpool said:

“King Charles has described St George’s Hall as one of the greatest architectural treasures of the world, and its world-renowned pipe organ is a similar treasure.  It has been my privilege to preside over it as City Organist for the past 38 years, and we surely owe it to our forefathers to keep it in as pristine condition as funds will allow.

 It is my dearest hope that, as more funding becomes available, we will be able to further restore the organ. There is much still to be done to the instrument, but restoration of the trellis would be a significant piece of work, and, with its completion, once again, the great occasions would benefit from its mighty voice.”

Liverpool Waterfront